Although Perry’s Madea character makes for some good laughs, this movie is based on some very serious themes. Relationships and trust, familial responsibility and female empowerment are some of the most serious ideas brought up.

Madea is not so much the main character as she is the central character who ties all of the stories together. She is charged with the care of a troubled foster child, who lacks faith in herself. She is related to some strong, female characters that have a chance to give inspiring speeches during the reunion.

The primary conflicts in the film involve Madea’s nieces, who have both been put in relationships that will try their weaknesses.

The biggest downfall of this film would be the melodramatic acting that plagues the serious scenes. Halfway through, you begin to feel as though you are watching a very long soap opera and you’re waiting for some character to magically come back from the dead.

Kodjoe, who plays the quintessential prince charming, is the guiltiest of melodramatic acting. His role in the serious scenes destroys your ability to believe and empathize with the characters involved.

On the other hand, Underwood plays a wonderful villain. As the abusive fianc’ of one of Madea’s nieces, he rouses disgust and contempt within the audience.

All-in-all, this is a decent film, even if it is somewhat formulaic and melodramatic.