Europeans in general seem to have far fewer hang-ups concerning sexuality than Americans. The subject is frankly explored via coming-of-age movies by two fine French directors.

Unsurprisingly, the female director focuses on the female perspective, while the male director focuses on the male perspective. The differences in these two films are vast, and cannot be attributed to gender alone. What they do share is a high level of artistic value.

Fat Girl

I thoroughly appreciate the films of Catherine Breillat, because, while she is adamant to make a point, she never loses sight of her art. Fat Girl (2001) is no exception. The obvious metaphors and symbolism help drive the film towards its climactic ending. Fat Girl (or ’ Ma Soeur!) takes place during a family’s vacation. The two sisters are juxtaposed in age and body type, yet it is the younger outcast who sees more clearly. This movie is graphic and might be unsettling to many, however its beauty is revealed through sheer unapologetic and brutal honesty. After a screening with friends, we had a young lady who was compelled to go home and write a poem about the fat girl before she could sleep again.

Murmur of the Heart

Louis Malle’s Murmur of the Heart (1971) is an interesting film. Malle tackles certain subject matter in the tenderest of fashions, where others would have played up its shock value. In its historical perspective, I’m sure the film was quite controversial, but now we are left with a very thoughtful film.

The young man in Murmur of the Heart is on a quest to lose his virginity, but the constant close proximity of his family and their concern over his heart condition makes it very difficult. Louis Malle was never celebrated in the way that Godard and Truffaut were, and his Murmur of the Heart has caused some to wonder why.

Until next time, I hope you have a great viewing experience.  Comments are welcomed at cinespire@gmail.com.