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MLT to Transform from Armadillo Acres to Amy’s Attic

I always expect the best stage shows from George W. Manus Jr. and his Out Front Productions, and I seem to always get it.

On an extremely frosty, frigid evening, with temperatures hovering near 10 degrees, opening night was a sell-out as folks wanted the feel of Central Florida in Murfreesboro Little Theatre, and although getting past the armadillos was tough, driving into Armadillo Acres was warm and inviting . . . well, I am stretching it when I write “inviting.” A feeling of swampy, snake infested, humid turmoil ensued as you park and walk upon a couple of trailers (mobile homes to the wealthier trash), where tension, adultery and skanky raw sexiness kept one enthralled for nearly two hours.

Mr. Manus and Company delivered a most excellent casting with “Great American Trailer Park Musical,” and kept the audiences reeling from Jan. 8-24, and with talent like Steven Luster (as Norbert) and Carol Hamby (as Jeannie), the play gave everyone something to talk about on the way home.

Mr. Luster has been a “background actor” for sometime at MLT, but this, his first starring role, showed his true talent and he was perfectly cast as the husband of one woman and the lover of another (Deanna Payne as Pippi). If I had to choose between trashy and skanky, which would I choose? His efforts were believable and I applaud him for doing a great job. He and Miss Hamby also had a very good duet during the show; I was impressed.

Miss Hamby and Miss Payne were both quite good; again, it was great casting as they seem to fit in and enjoy their parts quite easily and handily. Sean Dixon has become a fixture with Out Front Productions; he seems to be in every show Mr. Manus directs, and with good reason. This time, as Duke, and as always, he projects a character that Mr. Manus needs to complete a great show. The entire cast was fun, wild and did a splendid job in making the production a success. I especially enjoyed the interaction with the audience, and on this particular night, most of the audience looked as if they lived in Armadillo Acres, so the engagement worked beautifully. There were lots of voluptuous women, and some onstage as well!

My bows to the production staff, and especially the costume designer and crew, and the technicians/designers of the stage set. My only negative note: although I enjoyed the band (White Bay Freddie and Morris Hamby) immensely, there were times when they drowned out the actors and the actors could not be heard. We probably missed some good lines.

Again, kudos on a play well done.

MLT, wasting no time, will be presenting “Amy’s Attic” beginning Feb. 5, and running through the 14th, and with a magic trunk, a clown named Coco, circus performers, a madman named Ivan . . . why, this could be the “greatest show on earth!” Times are 7 p.m. Fridays and Saturdays and 2 p.m. on Sundays. Call or visit mltarts.com for tickets.

Also Feb. 5, the Center for the Arts opens the curtains at 7:30 p.m. for “Jungle Book,” a two-weekend production directed by Michael McGee. With 84 kids on the stage, ages 4 to 18, this should also be one for all to see.

On Feb. 12, Lamplighters Theatre in Smyrna will be producing “Father of The Bride,” with the doors opening at 7 p.m. Fridays and Saturdays, and 4 p.m. on Sundays.

Keep watch in April, not so far down the pike, as Liquid Smoke (on the Square) hosts its first play, a resurrection of sorts for Tony Lehew’s “Everyday Heroes,” being directed by Bryan M. Booth. If you missed it at MLT a while back, this will be a golden opportunity.

See ya at the show.

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