False Colors’ debut album, Vanishing Ink, is a blissful dive into what it calls “post-techno,” a combination of synthesized beats and haunting melodies that provide a calm ambiance for all involved. The album runs shorter than the average release, clocking in just over 30 minutes, but it will undoubtedly take you on a journey.

False Colors is the type of band that embodies the natural state of tranquility in its music. Consisting of self-producing artists Matt Suitt and Ardis Redford, the Murfreesboro duo offers its take on the “chillwave” genre by blending synth-pop beats and atmospheric melodies.

“Portrait in Smoke” is a charming, resounding start to the nine-track album, and its dreamy, intimate sound will likely tempt you into playing it a second time. As the album progresses, you’ll notice each song flows exceptionally well into the next, almost creating a story, but without words.

The duo shows off its sampling ability on “Behind Yr Face,” and the synth arpeggios on “Operator” and “Split Ender” make them two of the catchiest songs on the release. Other favorites include “Tuff Caldera” and “Noccalula Falls.”

With limited lyricism and repetitive beats, it’s surprising how well this album catches (and holds onto) your attention. Far from mundane, the production is crisp, clear and well-thought-out.

Overall, this album leaves you in a state of serenity and appreciation for what’s around you. False Colors has found a way to blend synth-pop and “futuristic skating rink music” to produce an album that can be listened to in any environment.

Similar to the music, the album’s cover art is as aesthetically appealing as the tracks are euphoric. A blood-orange sun-shape is layered softly between a violet and green background of various textures and shapes. It’ll draw you in, too, no doubt.

To listen to more False Colors, visit falsecolors.bandcamp.com.