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Steered Straight Thrift

Catch & Release

Writer/Director Susannah Grant’s Catch and Release wrapped shooting in 2005 and its trailer was shown at least six months ago. Why the delay? It seems it was Jennifer Garner’s ’Alias’ schedule, as well as her giving birth. The delay didn’t hurt anything, because this romantic comedy isn’t run-of-the-mill. It’s actually sweet, offbeat and mellow.

Gray Wheeler (Garner) is unexpectedly forced to move on with her life, when what was supposed to be her wedding day, turns out to be the memorial for the death of her fianc’, Grady (who’s not portrayed by an actor). She moves in with Grady’s two close friends’Sam (Smith),a jolly fella who reads philosophical quotes from herbal tea containers, and Dennis (Sam Jaeger), who constantly shows affection and care for Wheeler during this time of mourning.

Wheeler finds she’s not the only new one in the house. Fritz (Olyphant), an L.A. friend of Grady’s, is crashing there for the time being. However, the last time the two ran in to each other it was more than a little awkward. Wheeler, trying to get away from the memorial crowd, secluded herself in the upstairs bathtub, and, unknowingly, Fritz came in to the bathroom and had sex with one of the caterers.

Additionally, Wheeler finds out she knew less about Grady than she thought when she is confronted by Maureen (Lewis)’the unexpected mother of Grady’s child.

Catch and Release goes by as the characters do, rolling with the punches. It’s an interesting non-formulaic way of telling a romantic comedy. It feels like a lesson in Taoism’the characters aren’t fighting what life brings, but dealing with it, and continuing their journeys.

What really adds to the film is how well written the supporting characters are (minus Dennis who constantly pines over Wheeler), and how well the actors portray them. One such example is Smith, this being the first film he’s acted in outside of his own, whose character is obviously supposed to be comic relief. However, there are some moments of genuine care and humility that Smith was able to pull off.

The leads also hold their own, as Garner, who’s the star of the film, has thankfully not become as big of a movie icon as she has in the world of television. This makes her down-to-earth character more believable. And Olyphant, who has always been given supporting roles, really delivers as a leading man. For my money he’s an exceptional actor, one that should be given more leads in the future.

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