It turns out that if you send Film Noir moonward, something quite special comes back.

These two films expand their Noir foundations to accommodate other stylistic elements. Maybe the moon causes these male characters’ ethical struggles and difficulties with love. Contemporary thinkers would beg why the ladies fell for such rascals in the first place. Despite love being so mysterious, we should resign ourselves to simply blame it on the moon.

Moontide

Moontide (1942) is an American film directed by Archie Mayo, which stars the French actor, Jean Gabin, and the English actress, Ida Lupino. You’ll be surprised at how audacious a 1940s movie can be. Gabin plays it ultra-tough as he considers his next move, while living as a free spirit on the waterfront. Once softened by love, a tough guy must face the turbulence from his previous lifestyle.

Moontide adds groovy surrealist touches to the drunken sequences, with a nod to Salvador Dal’.

Moonrise

Moonrise (1948) is directed by Frank Borzage. Think Southern Noir with hints of melodrama and ethical contemplation. The opening shadow play is very haunting. The poor fellow is faced with the sins of his deceased father, and it drives him to the dark places.

Among the cast of characters is a wise mentor and philosopher who has chosen to live in a shack, isolating himself from society, behind a dilapidated plantation house. It’s an unexpectedly esteemed role for a black man and a rare social comment for America during its time in the 1940s.

Until next time, I hope you have a great viewing experience.  Comments are welcomed at cinespire@gmail.com.