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Steered Straight Thrift

Metal Docs of Note: Anthropology

The phenomenon of heavy metal bred with it an entire culture, which is unique unto itself.  That, in turn, has provided filmmakers with a wealth of information to disseminate and digest.  The entertainment value is also off the charts, especially for those who survived its culture.

Metal: A Headbanger's Journey

Metal: A Headbanger's Journey

Metal: A Headbanger’s Journey (2005) is directed by Sam Dunn, who is an anthropologist and a self-admitted headbanger.  The film thoroughly documents the history of metal and classifies its many sub-genres.  Dunn also explores the culture surrounding the musical institution.  Passionate enthusiasts may differ with some of the finer points that he makes, but it is a subject that can withstand the debate.

It is a surprisingly fascinating experience to watch heavy metal undergo scientific scrutiny.

The Decline of Western Civilization 2: The Metal Years

The Decline of Western Civilization 2: The Metal Years

The Decline of Western Civilization 2: The Metal Years (1988) is directed by Penelope Spheeris as a sequel to her prior documentary about the punk rock movement.  The film includes many interviews and scenes depicting metal debauchery.  There is an emphasis on the self-destructive behaviors of the musicians and their fans.  And there is much fun to be had by all the viewers who can actually find The Decline of Western Civilization 2: The Metal Years, as it has long been out of print.

Heavy Metal Parking Lot

Heavy Metal Parking Lot

Heavy Metal Parking Lot (1986) is directed by Jeff Krulik and John Heyn, who had the foresight to film Judas Priest fans in the venue parking lot before going inside to see the band perform.  The short film documents a golden era where muscle cars and public intoxication were actually permissible.  It is dated, telling and hysterical.

Until next time, I hope you have a great viewing experience.  Comments are welcomed at cinespire@gmail.com.

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About the Author

Norbert made Murfreesboro, Tenn., his home in 1997. He conceived the Living Room Cinema column in 2006, and submits them regularly to the Murfreesboro Pulse. Aside from his love of films, Norbert is also an avid photographer. He is the very proud father of two, he beats on an old guitar, and plays a dicey game of Chess at best. Like Living Room Cinema at facebook.com/livingroomcinema.

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