Industrial can be literally interpreted or used more abstractly for describing something that is hard, gritty, experimental, avant-garde. A movie previously honored in this column, which would also fit neatly here, is David Lynch’s Eraserhead.
Tetsuo: The Iron Man
Tetsuo: The Iron Man (1989) is directed by Shinya Tsukamoto. The metamorphosis story is an explosive nightmare of phenomenal proportions. Profoundly original, Tetsuo is taken to the brink utilizing a panorama of thriving industrial artifacts and a complementary industrial soundtrack. Put Tetsuo: The Iron Man in the category of “films you must see before you die,” but be aware that it is not intended for your mom or small children (unless you have a sick and depraved score to settle).
Decasia: The State of Decay
Decasia: The State of Decay (2002) is an experimental film by Bill Morrison. After finding heaps of old film stock in various states of decay, Morrison edited them together into this entrancing preservation. Beyond the literal decay displayed on screen, one can derive multitudes of larger and more symbolic meanings. The film works in tandem with an aptly industrial soundtrack provided by Michael Gordon.
Man with a Movie Camera
Man with a Movie Camera (1929) is directed by the Soviet filmmaker, Dziga Vertov. The silent film exhibits the modern industrial society of the late 1920s. It is a celebration of the era’s mechanization, architecture and the daily life of its people. The film is energetic yet constrained by the ideals of realism. Man with a Movie Camera is considered by many to be a masterpiece, and it is a visual joy to watch.
Until next time, I hope you have a great viewing experience. Comments are welcomed at cinespire@gmail.com.
