Consider the question while taking in these two different approaches of storytelling about some overtly mischievous children.
L’Enfance Nue (1967—pictured above) is the French title, which translates to Naked Childhood in English. It is written and directed by Maurice Pialat, and is his first feature film. Francois is a boy who has has seemingly seen his share of foster homes. He goes from one home to another with the aid of his social workers. We are privy to his behavior without extraneous interference. Pialat masterfully chooses a matter of fact style, and leaves some gaps, but without a void. L’Enfance Nue keeps the viewer engaged with characters found as they are. It is a truly unique viewing experience.
The Bad Seed (1956) is directed by Mervyn LeRoy. Contemplated herein is whether evil can be an inherited trait, as an ill-tempered young girl is thought to have committed some horrific deeds. Based on a dramatic stage play, The Bad Seed film translates into an American classic chiller. It is beloved by many cult film enthusiasts, and has been asserted as an early inspiration for John Waters.
