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The Surreal Magic of Werner Herzog

My epiphany in realizing the limitless boundaries of film were solidified after viewing these two amazing contributions. Herzog has the insight and ability to incorporate non-actors into his castings. The results are indisputable. The power of his inspiration is most notably found in the works of Nashville’s very own Harmony Korine. For further reward, please be sure to listen to the eccentric, yet illuminating DVD commentaries during subsequent viewings.

Even Dwarfs Started Small (1970) has been described in synopsis as an “uncompromising allegory about the consequences of imprisonment and rebellion,” and is further referred to as a “profound nightmare.” Shot in the Canary Islands, the cast is comprised solely of little people. Most of the film is respectfully shot on the level of their height perspective. Herzog includes barbaric and confounding acts performed by animals and humans, while finding the insight to contrast them with other strangely innocent and touching moments.

Stroszek (1977) is Herzog’s second film starring the recently passed Bruno S. The film was written very quickly with loose biographical allusions to his socially afflicted “non-actor.” Though there is much more narrative found in Stroszek, it still has powerful moments of symbolism and the surreal. Herzog also saves his audience from total and utter despair with unique glimpses into humanity. The film is completely unforgettable.

Until next time, I hope you have a great viewing experience. Comments are welcomed at cinespire@gmail.com.

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About the Author

Norbert made Murfreesboro, Tenn., his home in 1997. He conceived the Living Room Cinema column in 2006, and submits them regularly to the Murfreesboro Pulse. Aside from his love of films, Norbert is also an avid photographer. He is the very proud father of two, he beats on an old guitar, and plays a dicey game of Chess at best. Like Living Room Cinema at facebook.com/livingroomcinema.

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